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High Museum Names Alison Saar Recipient of 2025 David C. Driskell Prize

Artist, Alison Saar. She has chin-length frizzy white hair parted in the middle. She's wearing round, black-frame glasses and a grey top. She's sitting in a garden with a small outdoor sculpture and lots of green plants behind her.
Alison Saar self portrait in Laurel Canyon garden

Saar to be honored at 20th annual Driskell Prize Gala on September 20, with John Legend set to perform

The High Museum of Art has named artist Alison Saar as the 2025 recipient of the David C. Driskell Prize in recognition of her contributions to the field of African American art. Saar will be honored at the High’s Driskell Prize Gala  on Saturday, September 20. EGOT-winning, critically acclaimed, multiplatinum musician John Legend will perform at the event.

Celebrating its 20th anniversary this year, the $50,000 prize demonstrates the High’s ongoing dedication to furthering artistic innovation and promoting research of African American artists and scholars.

About the artist

Saar, based in Los Angeles, is widely celebrated for her sculpture, installation and mixed-media works, which tell stories about the African American experience through references to American history, literature and mythology.

Her works have been featured in hundreds of solo and group exhibitions worldwide, including at the High, which presented one of her first solo museum exhibitions, “Fertile Ground,” in 1993.

Cast bronze and stone outdoor sculpture, Salon, by Alison Saar in Paris. It shows a woman sitting on a large stone bench holding a golden object in her left hand, surrounded by smaller chairs and seats in a loose circle around her.
Alison Saar, Salon, 2024, cast bronze and stone; collection of the City of Paris © Alison Saar. Courtesy of L.A. Louver, Venice, CA. Photography by Fred Mauviel.

She has work in collections at renowned institutions including the High, the Art Institute of Chicago, the Detroit Institute of Arts, the Hirshhorn Museum and Sculpture Garden, the Los Angeles County Museum of Art (LACMA), the Metropolitan Museum of Art, the Museum of Modern Art (MoMA) and the Whitney Museum of American Art, among many others.

In 2024, Saar was selected by the International Olympic Committee and the city of Paris to create “Salon,” a sculpture commissioned in honor of the 2024 Olympic Games, which is now permanently displayed in the Charles Aznavour Garden on the Champs-Élysées. Her installation “Soul Service Station” was featured as part of Desert X 2025 in Coachella Valley, California.

Mixed media installation, Soul Service Station, by Alison Saar. It looks an old single-pump service station building with sign, set outdoors in the desert at Coachella.
Alison Saar, Soul Service Station, 2025, mixed media installation © Alison Saar. Courtesy of L.A. Louver, Venice, CA. Photography by Lance Gerber.

“Saar’s work delves deeply into the histories of the African diaspora and its artistic traditions, exploring how they influence and connect to cultural identity today. Her sculpture ‘Tobacco Demon’ has been a fixture in our galleries for decades,” said High Museum of Art Director Rand Suffolk. “We are honored to recognize her distinguished practice and myriad contributions to African American art with the 2025 Driskell Prize.” 

Celebrating African American art and artists

Established by the High in 2005, the Driskell Prize is the first national award to celebrate a scholar or artist whose work makes an original and significant contribution to the field of African American art or art history. It was named for the renowned African American artist and scholar David C. Driskell, whose work on the African diaspora spanned more than four decades.

Over its 20-year history, the Driskell Prize has recognized artists including Ebony G. Patterson (2023), Amy Sherald (2018), Mark Bradford (2016) and Rashid Johnson (2012).

Proceeds from the Driskell Gala support the David C. Driskell African American Art Acquisition Restricted and Endowment funds, which have supported the acquisition of 52 works by African American artists for the High’s collection since the prize’s inception.

Saar’s selection

The selection process for the 2025 recipient of the Driskell Prize began with a call for nominations from a national pool of artists, curators, teachers, collectors and art historians.

Alison Saar's Tobacco Demon sculpture, showing a man made up of tobacco leaves, holding a tool and smoking a cigarette, made of ceiling tin, found objects and shellac on wood
Alison Saar, Tobacco Demon, 1993, ceiling tin, found objects and shellac on wood; High Museum of Art purchase through funds provided by AT&T New Art/New Visions and 20th-Century Art Acquisition Fund, 1993.17 a-b. © Alison Saar

Saar was chosen from among these nominations by review committee members assembled by the High: artist and 2006 Driskell Prize recipient Willie ColeDr. Kellie Jones (2005 Driskell Prize recipient and professor in art history and archaeology and the Institute for Research in African American Studies at Columbia University); and two High Museum of Art curators, Kevin W. Tucker (chief curator) and Maria L. Kelly (assistant curator of photography).

“I am honored to have been chosen as the 2025 recipient of the David C. Driskell Prize,” said Saar. “At a time when many of the civil rights milestones achieved by previous generations — by our mothers and grandmothers — are being threatened or dismantled, the Driskell Prize empowers Black artists and art historians to push back.”

“When our art is removed from museum exhibitions or our shows are canceled, this prize offers not only validation, but also the support to continue making work that is courageous and truthful, work that is often stifled by the limitations of mainstream institutions,” she continued.

Little Big Sister outdoor sculpture by Alison Saar,  made with cast stainless steel with patina. It shows a young Black girl with hands on hips, wearing a white dress and is set in a grassy area with small trees and a grey wall behind it.
Alison Saar, Little Big Sister, 2023-24, cast stainless steel with patina; Collection of the Joselyn © Alison Saar. Courtesy of L.A. Louver, Venice, CA.

In addition to the Driskell Prize, Saar has received many other grants and awards, including an American Academy of Arts and Letters Award in Art (2018), an Excellence in Design Award from the New York City Art Commission (2005) and numerous art fellowships from the National Endowment for the Arts, among others.

She received her Bachelor of Arts degree from Scripps College (Claremont, California) and her Master of Fine Arts degree from the Otis College of Art and Design in Los Angeles.

The 2025 Driskell Prize Gala Chair is Charlene Crusoe-Ingram. Those interested in tickets for the formal gala may email driskellprize@high.org.

About the High Museum of Art

Located in the heart of Atlanta, the High Museum of Art connects with audiences from across the Southeast and around the world through its distinguished collection, dynamic schedule of special exhibitions and engaging community-focused programs.

Housed within facilities designed by Pritzker Prize-winning architects Richard Meier and Renzo Piano, the High features a collection of more than 20,000 works of art, including an extensive anthology of 19th- and 20th-century American fine and decorative arts; major holdings of photography and folk and self-taught work, especially that of artists from the American South; burgeoning collections of modern and contemporary art, including paintings, sculpture, new media and design; a growing collection of African art, with work dating from prehistory through the present; and significant holdings of European paintings and works on paper.

The High is dedicated to reflecting the diversity of its communities and offering a variety of exhibitions and educational programs that engage visitors with the world of art, the lives of artists and the creative process.

For more information about the High, visit high.org.

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